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Generally speaking, I've grown tired of apocalyptic horror. While classics like 28 Days Later along with the initial seasons of The Walking Dead were enjoyable, this category seems mostly depleted at this point. Even the highly anticipated 28 Years Later remains gathering dust in my watchlist for some time. But, the platform's new Indonesian horror film, The Elixir, succeeded in subvert my expectations turning out quite enjoyable.

Impressive Rhythm and Personal Development

Among the film's strongest strengths lies in the excellent rhythm. It begins with a memorable opening sequence where a peaceful family party is violently interrupted by a vehicle plows right into the seating section. From the wreckage, an extremely undead-looking individual stumbles out proceeding attacking the partygoers. This dramatic moment is then followed by a flashback, allowing us to see this household before the disaster occurred.

In contrast to numerous undead movies, The Elixir actually allows viewers enough opportunity to become acquainted with its main personalities prior to the carnage begins. There's Nes, a wife and mother whose ex close friend, Karina, is now wed to Nes' father—an obviously uncomfortable situation. This has predictably caused a falling out among the two women. We also see Nes' brother, Bang, who is kind-hearted yet socially awkward, and he enjoys gaming with Nes' young son, Raihan. Her spouse, Rudi, appears to have lately been unfaithful to Nes. This household patriarch consists of her dad, who runs a well-known herbal remedy business called Wani Waras, and he appears to care about just two things: his work and his wife to Nes' ex-best friend. Needless to say, this gathering proves extremely tense.

Invested in the Conflict

I found myself so engrossed in the family's dynamics along with their interpersonal drama that I nearly overlooked I was watching a scary movie—something that could sound like a drawback, but ultimately paid off. The Elixir dedicates a considerable portion of the film depicting us the identity of every family member is, plus the ways they contribute to the overall turmoil. This focus on conflicting traits allowed the audience to connect to the personalities enough to care about their fate—an uncommon feat in a genre which frequently presents characters just to eliminate them shortly afterwards. The Elixir avoids portraying its cast as two-dimensional, expendable casualties for an army of the undead to consume, thus it's a genuine surprise once events finally go wrong.

Evocative of Parasite

The opening sequences from the gathering and various household exchanges actually bring to mind the movie Parasite, a story which disguises itself as a Korean drama with slightly dark comedy before making a sudden shift into shocking ground. These introductory scenes aren't centered too heavily on humor as Parasite, yet The Elixir still gives enough time to immerse in its world prior to it gets upended.

Original Zombification Source

This movie additionally presents a quite interesting explanation regarding the origin of the spreading transformation. Instead of an accidental laboratory incident or a type of bioweapon, the source for this contagious disease stems from a recent sample from Wani Waras natural medicines created by Nes' father. Although we do learn a bit about its origins, it would have been better if the film had spent additional focus on how Wani Waras transitioned from a reputable supplier of holistic medicine to producing a lethal potion which seems to contain a highly contagious virus. Regardless of the lack of background, the effect this affliction has on people proves utterly disgusting, which I appreciate. The Elixir's undead are quick, bizarre in appearance, and, perhaps worst of all, always smiling. This represents a daring choice, but it works. The Elixir's practical effects and computer graphics are also very convincing, and are practically guaranteed to trigger one's trypophobia.

Capable Personalities

Even better compared to the disgusting moments are the characters themselves. Certainly, there are some instances of questionable choices (like any any good undead film), however for the most part, Nes and her relatives show themselves resourceful and sharp. Additionally, they aren't afraid to kick a zombie in the head, stab it with a pitchfork, or hit it over the head with the nearest heavy object is available instead of standing still like a deer caught in lights while danger approaches.

Believable Family Discord

The Elixir doesn't abandon its themes on family conflict when people begin transforming to the undead, which was a pleasantly realistic subversion from that "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" cliché frequently used in apocalyptic movies. It's clear, Nes loves her family and values her spouse, Rudi, yet it's equally apparent she's still clinging to resentment regarding his infidelity in their relationship. When the family becomes split up, they decide via telephone to regroup at a close spot. However, once Bang admits he is unaware how to get there, Nes unleashes an immense amount of frustration toward Bang which has obviously been building over time. Nes is not perfect, and her family—with all their imperfections—seem authentic and understandable because the film avoids attempting to push the notion that a near-death experience immediately resolves familial strife. This makes the moments where these individuals express gratitude for each other seem much more genuine.

Predictable Ending

In spite of The Elixir's best attempts to break new ground, the ending must be said to be somewhat formulaic. The Elixir isn't really offering up some profound insight regarding relatives or community, as well. Instead, it's mostly delivering frights. But they're successful scares, and since the movie allows every personality enough room to grow and doesn't punish them for having flaws, the outcome is an engaging and enjoyable